Legendary film­makers Francis Ford Coppola and Walter Murch discuss their latest picture, edited in Final Cut Pro.

"Cold Mountain" courtesy of Miramax Film Corp. All Rights Reserved.

"Jarhead" courtesy of Universal Studios Licensing LLLP

Electric Entertainment uses an innovative digital cinema work­flow for producing their prime-time television series — with the new Final Cut Studio at the center.

Euro RSCG uses Color to achieve a striking new look for Jaguar’s worldwide ad campaign.

Chris Rock’s hit television series brings comedy to HD with an all-digital workflow based on Final Cut Pro and Color.

Catch the new season Fridays on the CW, 8pm/7pm Central.

20th Century Fox is implementing an all-digital post-production workflow with HD video at the center. This lets them bring more creative control into the editing room and add quality earlier in the production process.

@radical.media

@radical.media is a media company that produces feature films, television programs, and commercials. For a recent project, they used technology to coordinate teams in China, New York, and Los Angeles — without skipping a beat.

Full Sail University

Students at Full Sail University pursue a passion for working in the film and video industry. They gain a competitive edge by learning to use the same tools they’re expected to use in the professional world.

Coen Brothers

For Joel and Ethan Coen, color grading is a creative tool — like music — that helps them shape the character of a film. Digital color grading allows them to begin adjusting color with the very first shots.

BBC

The BBC is at the forefront of the digital production revolution. As these visionaries move to a fully tapeless infrastructure, they are implementing a “creative desktop” that lets them put the focus on talent, not technology.

Miranda July

Independent filmmaker Miranda July is able to express her creativity in the edit room without being hindered by the technical process. The freedom to experiment allows her to shape her story as she works.